Fire Emblem 1 is like a Tabletop RPG

Pantsless Marth stands ready. As of March 31, 2021, this game is no longer available in English.

It’s been a while, hasn’t it? Anyway, I’ve been having some thoughts lately, and I thought I’d share the here on the blog.

Fire Emblem: Shadow Dragon and the Blade of Light, the first Fire Emblem game for the Famicom/NES (hereafter FE1) is respected as the originator of the now-popular Fire Emblem series, but it is generally regarded as clunky and outdated compared to newer entries, especially from the Game Boy Advance onward. For a while, I regarded it this way too, seeing it as a barebones game hobbled by the limitations of an 8-bit system. To me, the games from the GBA onward had it right, since they had better-developed characters, better gameplay, and lots more content thanks to the relentless march of computer technology.

During the holiday season, I purchased the official English translation of FE1 from the Nintendo Switch online store; unfortunately, it became unavailable after March 31, 2021. That said, the game can still be played in Japanese on the Famicom app (which you need a Japan-region account to acquire, but once you have it, you can play it on your US account just fine.)

Like I said, I thought of FE1 as an obsolete old clunker. Then I started reading commentary from Jeffro Johnson, author of Appendix N: The Literary History of Dungeons and Dragons. He points out that “storygaming,” the dominant mode of play for tabletop RPGs, is very different from the way such a game was built to be played:

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2021 New Year’s Post

NOTE: I fixed the images in my heroism post.

Well, 2020 sure sucked. Thankfully, it’s over now, and here’s to hoping for a better year.

Rather than talk about what I’m going to do, I’ll talk about what I have done.

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Heroes are Better than Villains

Villains are considered more interesting than heroes because materialism dominates modern thinking.

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The Pop Cult Will Never Venerate You

A common fantasy among authors is getting picked up for a movie or TV deal. They often see it as a ticket to stardom, to their work gaining the recognition and influence they feel it deserves. However, such a phenomenon is not only highly unlikely, it is downright impossible if you do not subscribe to a particular extreme progressive worldview.

In that spirit, I made the following tweet yesterday:

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Romance as Feminine Heroism

A few days ago, I wrote a post on why critics tend to dislike the trope of the Manic Pixie Dream Girl, or the quirky female who raises a male protagonist’s mood through wacky antics so that he could stop being so gloomy. I said that it was because the MPDG, for all her flaws, nonetheless satisfies a man’s emotional needs, but any woman written that way is largely considered sexist by mainstream critics and creatives.

As it so happened, the Literature Devil came out with an hour-and-a-half long video talking about how heroism and villainy are portrayed in modern popular culture.

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Male Fantasies Rock

A few days ago, prolific author Adam Lane Smith put up a blog post defending the much derided “male power fantasy” as a worthy form of storytelling. In the post, he argues that such fantasies encourage men and boys to overcome obstacles, stand up to bullies and abusers, and live out their principles. He explains that such stories are mocked and belittled today because those who fund entertainment want men and boys to become weak, emasculated cowards to make them easier to control.

Reading this post made me think of another aspect of male fantasy that is equally derided: the idea of a woman devoted to a man.

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Books Preserve Culture

The final fate of film. (Source: National Film and Sound Archive of Australia)

In the past few days, I had frustration with a series of short stories I wrote. They didn’t work as effectively as I had hoped; I thought to myself “No one will read my book because no one reads anymore,” and that I should shift my creative energies into film. After all, that was the only cultural output anyone cared about; thanks to flawed teaching methods, no one geeks out over books, and you can’t slap an excerpt on YouTube and expect to get any views. Novelists dream of their works being adapted to film and, if they were honest with themselves, would rather be making films.

However, the mighty medium of film has a critical weakness: it is difficult to preserve. (In this post, “film” refers to any audiovisual entertainment that isn’t video games or stage plays.)

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Why the Fairy Tale Is Fractured

L. Jagi Lamplighter, wife to great sci-fi author John C. Wright and a talented editor in her own right, has written a series of blog posts describing her fascination with fairy tales — and lamenting their subversion in the modern day.

Part One
Part Two
Part Three
Part Four

However, when I thought about it, I realized that the problem Jagi identified with fairy tales in modern times is exactly the same problem horror has in modern times: scientific materialism has eroded what makes it special.

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New Book Alert: Wretched Son by Jon Mollison

From the keyboard of Jon Mollison comes a tale of post-apocalyptic survival.

Civilization has fallen, yet life goes on. What choices are there for a guy to make? Will he ever live in comfort, or will he have to fight for his life?

Find out today!

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Less than a Week for Vatican Championship Wrestling

It’s coming to the homestretch — six days left to back Vatican Championship Wrestling, a novel by Will Hastings that has a Vatican exorcist enter the ring to take down the Devil. Let’s get it over the hump!

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