Fantasy Doesn’t Embrace 21st-Century Modernity

This is NOT what is meant.

My Twitter buddy Benjamin Cheah recently wrote a long Facebook post about the new Beauty and the Beast movie, criticizing it for allegedly portraying 18th-century rural France as more progressive than it actually was. In response, a commenter (who did not get personal or insulting — he argued in good faith) answered with a common objection I’ve seen to such critiques:

If a story has some fantastical concept like magic or dragons, then there is no reason that it cannot have women in traditionally male roles, non-Europeans in large numbers, or any other feature of 21st-century Western democracies. Or, to shorten it, “if magic, then modernity.”

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When Playing RPGs, Go Homebrew or Go Home

These have decided many a character’s fate.

Ever since Gary Gygax published the seminal tabletop RPG Dungeons & Dragons, many other creators penned their own gamebooks with their own systems — some in imitation of D&D, some much less complex, and the internet has caused their numbers to absolutely explode. Since D&D continues to dominate this niche market so much that it pretty much is the market, it seems as if all of these smaller games serve no purpose to gamers. However, these smaller games are not only welcome, but vital to any RPG player worth his salt.

This is because small, simple rulesets allow for easy homebrewing — mandatory for any extended campaign.

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Story Spotlight: The Witch of Elrica

The Witch of Elrica
by Jennifer R. Povey
Published in Cirsova Vol. 4 (pp. 45-55)

DISCLOSURE: I paid into Cirsova’s Kickstarter, and I regularly communicate with the editor.

Marek, bastard son of Ilvia’s king, has a longstanding rivalry with Petor, the heir apparent. To make matters worse, Petor was soon to be married to Princess Kavia of Elrica, further boosting him above Marek in status. However, Marek ends up with bigger problems: Telissa, one of Princess Kavia’s handmaidens, catches Marek’s eye…but Telissa is a witch, and witchcraft is punishable by death in the kingdom of Ilvia. If it got out that Petor’s betrothed brought in a witch, it would threaten Petor’s claim to the throne and cause untold trouble for Ilvia as a whole.

Thus begins the story of The Witch of Elrica.

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The New Samurai Jack: A Non-Fan’s Perspective

Jack: a man of few words.

I watched a lot of cartoons as a child. I still watch them now. But I hadn’t watched Samurai Jack when it was new since the flat art style repelled me. At most, I was only vaguely aware of the main driving conflict and I had never watched an episode from beginning to end. When I heard that it was coming back, it didn’t excite me at all — I understood why it was so popular, but it just didn’t grab me. However, I happened to be with some friends one day and they chose to watch this new Samurai Jack, so I watched it with them.

Its presentation floored me.

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Castalia House Post: In Defense of Backstories

A man with a backstory.

Over at the Castalia House blog, I defend the concept of the backstory after it is sharply criticized. No less a character than John Carter of Mars has a backstory, albeit a simple one.

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Sword & Flower Free for Five Days

Good news, everyone! My novelette Sword & Flower will be free for the next five days, from February 12 to February 17 inclusive. Come and read a story about a Japanese pop star and an English Puritan who team up to defeat a most vile fiend. Castalia House author Rod Walker has praised it, so you know this novelette has something going for it. Be sure to leave a review when you’re done.

You can get the novelette here.

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The Guidebook Rules

Monica Valentinelli

UPDATE: I’ve been informed that Monica Valentinelli, not Jim C. Hines, wrote the article; Hines merely hosted it on his blog.

I was cruising the internet one day when I came across an article by author Monica Valetinelli about the importance of progressive inclusion in tabletop RPGs. The article itself was nothing unusual, and she and her group don’t need anyone’s permission to play how they want. However, she unknowingly highlighted something that speaks not only to RPGs, but to a wider issue in our culture, an issue more foundational than she realizes.

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Sword & Flower is Available Now!

Today is an auspicious day.

The first of my entries into the ongoing Pulp Revival is now available to buy. I drafted this novelette in November and revised it earlier in this month. It’s finally complete and it’s ready to take the world by storm.

I present to you: Sword & Flower!

Japanese entertainer Chiyo Aragaki — known to her fans as Dimity Red — is on the road to international success. Her music is in all the trendiest anime, and her fanbase’s enthusiasm fuels her passion to perform. Adept at gymnastics and manipulating ki energy, Dimity uses her skills to entertain the enraptured crowds.

However, she has caught the attention of a demonic evil. This dark adversary rips Dimity from the glamour and glitz of stardom and sends her to the beautiful yet ethereal realm of the Lesser Heaven.

A swordsman named Mash Marston resides in the Lesser Heaven which, despite the name, is not free from danger and death. Heroically defending his town against vile abominations, he is nearly killed but is saved by one who uses her powers to repel evil and heal wounds. Unfortunately, the powers that saved Mash and the town are also powers strictly forbidden among his people.

And Dimity will soon discover what this means when she shows up blasting ki.

Reflecting the best qualities of old school pulp fiction, Sword & Flower is one part Poul Anderson, one part Edgar Rice Burroughs, and one part Akira Toriyama.

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A Request for Superversive Books

The folks at Superversive SF have put out a request for published work that reflects a spirit of hope even in dark times, free of nihilism. The aim is to create a list of stories that is easy to share, so that when someone asks, “what stories are Superversive?”, we can answer easily.

Check out the list here, and add your own suggestions.

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Fear of a Pulp Planet

Swinging in.

Bloggers Jeffro Johnson — whose Appendix N book I spotlighted here — and Jon Mollison, both of whom I’m acquainted with online, have made much of the “Pulp Revolution,” a nascent literary movement intended to turn modern sci-fi and fantasy away from a perceived focus on deconstruction and embrace its heritage as a literature of the heroic and wondrous. It also seeks to bring the works of long ignored pulp authors back into the limelight. Through my Appendix N review series, I have played a small role in this grand project, but beyond seeing high Amazon sales of certain books by Pulp Revolution-affiliated authors like Brian Niemeier and the aforementioned Jeffro, I didn’t think our efforts would reach wider attention.

Until now.

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