On Conan and Women

Art by Frank Cho.

Before we start, I just want to update you on how I’m handling the coronavirus crisis. Simply put, this has been my most productive month for writing; I’ve drafted three 10K+ short stories and am nearly finished drafting a novella. I’ve come up with a method that not only helps me write faster, but also helps me rapidly prototype an idea — I honestly don’t know why I didn’t think of it before.

Now that that’s out of the way, on to today’s topic.

Lately, I’ve been going through a collection of Conan stories written by the original author, Robert E. Howard (I do not intend to go farther than Howard’s Conan, as I consider all non-Howard works to be fan fiction no matter how well-written they are.)

These stories were and are a breath of fresh air. They feel wonderfully unrestrained, just like the barbarian himself. Conan is direct and honest, unlike his lying and scheming opponents. Unbounded by civilized convention, he sees matters clearly. Because my only understanding of Conan before encountering this collection was from knockoffs and parodies, I didn’t know that Conan often faced down monsters as well as men. The Conan tales fired the imagination and boiled the blood.

However, one feature stuck out to me — the sheer amount of sexual polarity in the work.

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Why Battleborn Is Good

When I heard that friend of the blog Adam Lane Smith had written Battleborn, a short story about mechs, I wanted to see what he would do with the concept since I myself had published a mech story a year earlier.

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Why Metal Mage Works

It’s got death. And guns. It’s Deathgun. And who’s that chick? Probably an elegant gun lady (Quote paraphrased from Larry Correia.)

I shouldn’t have liked the novel Metal Mage by Eric Vall.

It has so many negatives: Apparently poor pacing. A hazy and incoherent conflict (more on both of these later.) A Gary Stu protagonist. Over-description in some places.

And yet, I thoroughly enjoyed it. So much so that when I was listening to a chapter on the way to work (I have the audiobook), I arrived before I could finish, disappointing me intensely. Even before then, I found myself looking for excuses to listen to it.

Why does Metal Mage work in spite of its apparent flaws?

Because it is written to please readers, not critics or writers.

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On Martial Maidens II

Yesterday, I put up a blog post where I showed videos discussing Andrew Klavan’s comments regarding women and swordfighting (namely, that women are utterly useless at it.) As one would expect, this has been discussed all around the internet, but much of it involves virtue signalling.

To cut through a lot of that fog, I will show you a video by medieval swordsmanship YouTuber Skallagrim, in which he discusses the comments with two female HEMA practitioners — one old, one young.

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On Martial Maidens

A few days ago, published author and political commentator Andrew Klavan commented on Netflix’s recent Witcher fantasy series. Noting a scene where a queen swordfights with great skill, he says the following:

“There’s a couple of scenes where women fight with swords. And I just hate these scenes, because no women can fight with swords. Zero women can fight with a sword.”

Many around the internet took him to task for saying this, but the best responses were by Shadiversity and by this HEMA (Historical European Martial Arts) practitioner. They are not propagandistic cringe, but educated explanations by folks with practical experience. Give them a watch (and watch Shadiversity’s channel; trust me, it’s excellent and educational.)

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So Long, Christopher Tolkien

As many of you already know, Christopher Tolkien, son of Lord of the Rings author J. R. R. Tolkien, has died. He was in charge of Tolkien’s estate, and the driving force behind getting The Silmarillion into publishable form. His stewardship was the reason most adaptations of Tolkien’s work respected the source material; he didn’t just parcel it out to anyone who asked. It remains to be seen whether the current executors of the estate are as careful as he was; there are encouraging signs, but it is too soon to tell.

In honor of both father and son, I will present to you Fellowship 9/11, a parody of Michael Moore’s documentary Fahrenheit 9/11 that elevates the former and mocks the latter. I did not create this parody; rather, I saw it back when I was in college. Enjoy!

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What’s Wrong with Franchises?

Recently, friend of the blog Alexander Hellene stated his disgust with IP franchises. Aside from personal preference, he believes that stories should have a beginning, middle, and end, without extraneous material like side stories and such.

I can see why he would feel that way: a lot of the go-to examples for expansive IPs feel bland. It’s like a committee of people comes up with a story, and you can tell that creative choices were made not because the team felt it was best for the story, but because “it will pull in [X] demographic” or “we can slap it on merchandise and make [X] amount” — things like that. On top of that, they keep it going as long as possible and add a bunch of ancillary material that you have to purchase to get the whole thing. Nothing can just end.

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Hypergamy Among Robots, or Why Grento Became Grenthree

A while back, I posted a little cartoon on Twitter showing the Grenzmark II from Brian Niemeier’s Combat Frame Xseed trying to get with the Grand Valkyur from my own Shining Tomorrow. I’ve decided to repost it here on the blog for everyone’s enjoyment.

Grenzmark II, or Grento, is the green robot. Dead Drop is the black robot. Xseed is the blue-and-white robot. (Combat Frame Xseed © Brian Niemeier. Illustrations by ArtAnon.)

Grand Valkyur is the feminine robot. (Designed by Jalen Myles Crymes. Illustrated by Kukuruyo.)

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No Iconic Xseed Characters

Sekaino Megami, the villain of the first Xseed novel. (Combat Frame Xseed © Brian Niemeier)

NOTE: There will be no spoilers for any of the Combat Frame Xseed novels. Also, I had forgotten to link to the Shining Tomorrow Historical Lore in the Robo-Inversions post; the link is now there.

One thing I noticed when reading Brian Niemeier’s Combat Frame Xseed and its sequels was the massive time skip between the first novel and its immediate sequel, Coalition Year 40. Indeed, that book and CY 40 Second Coming were originally intended to be a single book, but Niemeier didn’t want Coalition Year 40 to run too long, so he split it. Second Coming‘s sequel, Combat Frame Xseed S, will reportedly feature yet another large time skip.

Thus I noticed something about Niemeier’s approach to the series: he has no iconic characters.

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The Hero’s Journey of a YELOW Girl: Crossing the Threshold in Shining Tomorrow Volume 1

Inspired by friend of the blog JD Cowan’s “Story Sheets,” I will talk about the first act of my own novel, Shining Tomorrow Volume 1: Shadow Heart in terms of the “Hero’s Journey” as commonly understood. Popularized by Joseph Campbell in his book The Hero with a Thousand Faces and brought to life by George Lucas in his first Star Wars film, the Hero’s Journey is a common storytelling framework inspired by mythic tales from around the world. It consists of a protagonist leaving a comfortable existence to overcome a great challenge, then coming back from that journey changed for the better. Many Hollywood films use the Hero’s Journey framework, especially genre blockbusters such as superhero films. While it is often derided as formulaic, I see it as storytelling comfort food — well-liked because it is familiar.

In an effort to give my own novel some structure, I wrote ShinTomo as a Hero’s Journey. Here, I will discuss the first act of my novel in terms of this structure; because it covers only what is alluded to in the back matter, I do not consider these to be spoilers.

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